A hybrid sampler and sequencer built around an 8-cell pattern architecture — sample-accurate MIDI scheduling, granular time-stretching, feedback routing, and modulation mapping. Available as VST3, AU, CLAP, and standalone.

Senior software engineer on FL Studio from 2022 to 2025, writing C++ and WebAssembly across the DAW and Image-Line's web products.

Founding audio software engineer on a browser-based DAW for AI-assisted composition. I build the audio engine: real-time playback and DSP, plugin hosting, and the integrations that connect generative models to the arrangement workflow.

Lead software engineer at Lunacy Audio in Los Angeles. I designed the software architecture and coordinated the development team behind BEAM.

Audio software architect for Arpeggi's browser-based DAW, where songs are composed and stored on-chain.

Audio software R&D at SKR Audio Labs. I developed the audio-engine architecture in C++ for a cloud-based DAW and worked on its client application.

A tracker interface and event sequencer for live coding, built as a JavaScript web application: a Node.js back end that interfaces with GHC and a React front end. The work was published at ICMC 2017 and NIME 2018, and Siren appears in Push Turn Move, Kim Bjørn's book on electronic music instruments.

I built the audio engine and interaction system for Audileum, a multiplayer Unity interface that maps trigger areas in 3D space for live performance and composition. Productions can be re-staged in VR and on the web. The R&D stage was funded by an Arts Council grant and Sound and Music, and culminated in a week-long residency at the Barbican's Pit Theatre. A NewToy collaboration.

Patchwork is a computer-controlled acoustic drum machine I built with a visual artist for a Physical Computing final project. I handled the technical development: a Max/MSP sequencer that uses Cycling '74's Mira to drive an Arduino and five solenoids, which strike two acoustic hi-hats and a snare drum.